with good reason, one of the richest examples in the world. Among its contents are some rare examples of this complex and refined art form. The collection includes 227 pieces which vividly illustrate the history of cloisonné enamelwork, beginning with its first appearance in the 8th century and continuing through its end in the 15th century. The medieval enamels of the collection are divided into two groups: Georgian and Byzantine. All pieces can be attributed to the church with the exception of a pendant, a bracelet, and two rectangular items, the only lay-objects in the collection.
Fragments of a bracelet, pendant
and two rectangular items of unknown use.
10th-12th cc., Byzantine
The centerpiece of the collection is the famous Khakhuli triptych, unique in its combination of 115 pieces that span the history of cloisonné enamelwork. While most of the elements of the triptych are in quite good condition, the central icon was badly damaged during a pillage of the Gelati monastery in 1859.
The Khakhuli Triptych.
8th –12th centuries, Georgian
Central Icon of the Khakhuli Triptych.
10th century, Georgian.
